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5cuerdas escribió:Hola he querido este post para postear sobre aquellas marcas o luthier que hacen bajos novedosos o extremos...

para motivar comienzo por la marca alemana BassLab y sus bajos de (plástico)...


[youtube]fp10naDV18k[/youtube]


Bueno aquí no se puede hacer lo youtube así que :


http://www.youtube.com/watch?v=fp10naDV18k

capirex escribió:Para cosa bizarra esto que encontre ayer, que hasta suena y todo

http://www.youtube.com/watch?v=ogwdNpeDoJk

Si haces snowboard, esta es tu tabla Japo!

capirex escribió:Para cosa bizarra esto que encontre ayer, que hasta suena y todo

http://www.youtube.com/watch?v=ogwdNpeDoJk

Si haces snowboard, esta es tu tabla Japo!

5cuerdas escribió:Hola he querido este post para postear sobre aquellas marcas o luthier que hacen bajos novedosos o extremos...

para motivar comienzo por la marca alemana BassLab y sus bajos de (plástico)...


[youtube]fp10naDV18k[/youtube]


Bueno aquí no se puede hacer lo youtube así que :


http://www.youtube.com/watch?v=fp10naDV18k

lavin_compae_ae escribió:

5cuerdas escribió:Hola he querido este post para postear sobre aquellas marcas o luthier que hacen bajos novedosos o extremos...

para motivar comienzo por la marca alemana BassLab y sus bajos de (plástico)...


[youtube]fp10naDV18k[/youtube]


Bueno aquí no se puede hacer lo youtube así que :


http://www.youtube.com/watch?v=fp10naDV18k

ritter



aunque creo yo que tú conocerás más luthieres novedosos, ya que hasta donde yo sé los luthieres alemanes no son muy convencionales...

Joe escribió:

capirex escribió:Para cosa bizarra esto que encontre ayer, que hasta suena y todo

http://www.youtube.com/watch?v=ogwdNpeDoJk

Si haces snowboard, esta es tu tabla Japo!

Esto es lo que tiene estar aburrido y tener demasiado dinero de sobra

Body

As you might know by now, we use a specially developed synthetic material and construction for our instruments. They have an outer skin of approx. 3-4mms in one piece, while the rest is completely hollow. Yes, also the neck and even the headstock - if not headless. That´s why they are light. Very light!
Our material has some carbon in it - which is one of the reasons, why it is expensive (approx. 10-15 times more, than what others pay for so-called "noble woods"). Just as a sidenote: one carbon layer also shields the complete instrument from outer interferences - completely, right up to the pickups..... You can´t do it any better.
Back to construction! If you have a hollow, light instrument with such a small outer skin, you also play directly on a resonance chamber - with both ends of the vibrating string, maximising the vibrational energy transfer to the body, which
a.) is light, to have a good ratio of vibrating string and body mass, giving the best and fastest response and interaction
b.) also has an extremely well and even "velocity of propagation" across almost all frequencies and the whole instrument
c.) the combination of inner and surface resonances gives you the most complete spectrum possible
It´s up to you to finally check the results, but we believe, that this is the most responsive, dynamic and sensitive way to reproduce the movement of your strings. Being made out of a synthetic material also makes it immune to humidity- and temperature-changes. (Of course, there are limits for the temperature!)

Tischbein escribió:No señor:

Body

As you might know by now, we use a specially developed synthetic material and construction for our instruments. They have an outer skin of approx. 3-4mms in one piece, while the rest is completely hollow. Yes, also the neck and even the headstock - if not headless. That´s why they are light. Very light!
Our material has some carbon in it - which is one of the reasons, why it is expensive (approx. 10-15 times more, than what others pay for so-called "noble woods"). Just as a sidenote: one carbon layer also shields the complete instrument from outer interferences - completely, right up to the pickups..... You can´t do it any better.
Back to construction! If you have a hollow, light instrument with such a small outer skin, you also play directly on a resonance chamber - with both ends of the vibrating string, maximising the vibrational energy transfer to the body, which
a.) is light, to have a good ratio of vibrating string and body mass, giving the best and fastest response and interaction
b.) also has an extremely well and even "velocity of propagation" across almost all frequencies and the whole instrument
c.) the combination of inner and surface resonances gives you the most complete spectrum possible
It´s up to you to finally check the results, but we believe, that this is the most responsive, dynamic and sensitive way to reproduce the movement of your strings. Being made out of a synthetic material also makes it immune to humidity- and temperature-changes. (Of course, there are limits for the temperature!)

farosenlaniebla escribió:Pues yo los veo bastante discretitos.
Para mi exagerado es esto:

kame9 escribió:

farosenlaniebla escribió:Pues yo los veo bastante discretitos.
Para mi exagerado es esto:

pero esto.... es una pala con un bajo

conozco la web de basslab, gracias. tb conozco a un endorser que mantiene contacto directo con el luthier/ingeniero loco este, lo unico que dice ahi es que es un material sintetico que incluye carbono, decir eso y na es lo mismo. es un bajo metalico hecho de una aleacion basada principalmente en acero, confirmado por el endorser, el luhtier y los que han tenido la oportunidad de tocarlo.

gonzo escribió:la pala/bajo... esos conos estan todos conectados? tienen cablecitos...