Me refiero a cuando hacía cosas como esta:
http://www.youtube.com/watch?v=ysjDwBhvUPo
Es simple curiosidad, ¿alguien lo sabe?
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¿Qué delay/looper utilizaba Jaco?
Moderadores: KingMatt, yimijendriss, HoraceWimp, fervili, fley, Bartok, OutRo, Dexter_Bass, vaiges
http://en.wikipedia.org/wiki/Jaco_Pastorius
"Jaco Pastorius used the "Variamp" EQ (equalization) controls on his two Acoustic 360 amplifiers[31] (made by the Acoustic Control Corporation of Van Nuys, California) to boost the midrange frequencies, thus accentuating the natural growling tone of his fretless passive Fender Jazz Bass and roundwound string combination. He also controlled his tone color with a rackmount MXR digital delay unit that fed a second Acoustic amp rig.
At times, he used Hartke cabinets during the final three years of his life because of the bright character of aluminum speaker cones (as opposed to paper speaker cones). These provided a bright, clear sound. He typically used the delay in a chorus-like mode, providing a shimmering stereo doubling effect. He often used the fuzz control built in on the Acoustic 361. For the bass solo "Slang" on Weather Report's live album 8:30 (1979), Pastorius used the MXR digital delay to layer and loop a chordal figure and then soloed over it; the same technique, with a looped bass riff, can be seen during his solo spot on the Joni Mitchell concert video Shadows and Light."
Un MXR digital delay... :P
"Jaco Pastorius used the "Variamp" EQ (equalization) controls on his two Acoustic 360 amplifiers[31] (made by the Acoustic Control Corporation of Van Nuys, California) to boost the midrange frequencies, thus accentuating the natural growling tone of his fretless passive Fender Jazz Bass and roundwound string combination. He also controlled his tone color with a rackmount MXR digital delay unit that fed a second Acoustic amp rig.
At times, he used Hartke cabinets during the final three years of his life because of the bright character of aluminum speaker cones (as opposed to paper speaker cones). These provided a bright, clear sound. He typically used the delay in a chorus-like mode, providing a shimmering stereo doubling effect. He often used the fuzz control built in on the Acoustic 361. For the bass solo "Slang" on Weather Report's live album 8:30 (1979), Pastorius used the MXR digital delay to layer and loop a chordal figure and then soloed over it; the same technique, with a looped bass riff, can be seen during his solo spot on the Joni Mitchell concert video Shadows and Light."
Un MXR digital delay... :P
Puede que fuese el primer bajista que lo usase. De hecho, seguramente era algo 'caro' para la época. Según:
http://www.jimdunlop.com/blog/mxr-40th- ... mount-era/
Brian May, Zappa, etc... lo usaban también cuando salió al mercado.
Salut!
http://www.jimdunlop.com/blog/mxr-40th- ... mount-era/
Brian May, Zappa, etc... lo usaban también cuando salió al mercado.
Salut!

